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Summer Sale Now On

Sale Now On

To celebrate summer, I’m having a flash sale on selected Lightroom presets and Capture One styles from my digital download store. There’s up to 50% off on some presets, and I’m heavily discounting my older 1st Lightroom preset collection, so you can get it for just €25 (regular price €65). You can see all of the products on sale here on the “on sale” section.

Please note that prices vary slightly depending on your location and the local VAT rate.

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An important Note About Preset Visibility in Lightroom 8.1

For the past few versions of Lightroom, Adobe has continued to refine the way Presets work in the develop module. In 8.1, there is yet another change, which may affect the way some of my Presets show up or work in Lightroom. Don’t worry though, most presets still work fine. 

Let me explain…

What’s the issue?

In version 8.1 Adobe added an option to highlight presets they list as “Partially Compatible”. If a preset is showing up in the preset panel in italics and greyed out, it’s because the software considers it only partially compatible with the image. There can be a few different reasons for Presets to be labelled as partially compatible, but the main one is due to the colour profile used when the preset was created. 

As you probably know, Adobe has supplied colour profiles to match the camera picture modes for most cameras, since the earliest versions of Lightroom. However, some cameras have different modes, and picture profiles might be labelled differently. For example, the “standard” picture profile on a Canon camera is called “Standard” but on a Fuji camera, there is no profile labelled “standard” and the equivalent mode is “Provia”. Furthermore, a Jpeg file will have no picture modes at all and just uses the embedded colour profile. Because the colour profile can be included as part of a preset, if you apply one of those presets to an image that doesn’t have a corresponding colour profile, Lightroom now flags this as “partially compatible”.

In older versions of Lightroom, if the preset was applied to an image without a corresponding profile, Lightroom would just ignore it and apply the Adobe Standard” profile. However, now they have chosen to label these presets is only partially compatible. While this is useful for letting users know that there may be some incompatibilities, it is perhaps a bit confusing, as it leads users to think that there is something wrong with the presets, when there isn’t.

How it affects my presets

Some of my presets have a Picture Profile included in the preset information. In the past, this was ok because even if the image didn’t have a corresponding colour profile available, it would revert to the default, and there was no need for the user to be aware because it wasn’t an issue. Now, however, they are flagged, and this may become a source of confusion for users.

So what do you need to do?

You don’t need to do anything. The presets still work fine, and still revert to using the standard profile, as intended. You will just see them in italics in the preset browser. 

I’m not seeing the presets at all?

If you’re not seeing the presets at all, it’s because of the option to show partially compatible presets has been unchecked. To fix this, go to the preferences window, and go to the presets tab, and make sure the following option is ticked:

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How to use presets on Lightroom Mobile

Adobe recently introduced a new feature for the mobile version of Lightroom CC that people had been requesting for a long time, and that is the ability to use presets. What’s more, they also added preset syncing between the desktop and mobile versions of Lightroom CC. You can now use all of your Lightroom presets, and profiles on your mobile device and the process is fairly simple. You will, however, need to use Lightroom CC on the desktop. You will also need a creative cloud subscription.

If you’re not currently using the desktop version of Lightroom CC (not to be confused with Lightroom Classic) you will need to install it. Even if you don’t intend to use it, you still need to have it installed in order to sync presets to the mobile version. Once you have it installed and setup you’re ready to go. 

Installing presets in Lightroom CC

The first step is to install your presets into Lightroom CC. This requires a different process than Lightroom Classic, but it’s actually a little easier. Here’s what to do:

  1. Open Lightroom CC
  2. Go to the Edit Mode (Press E on your keyboard)
  3. Click on the Presets button at the bottom of the interface.
  4. At the top of the presets panel that appears click on the … menu button, and from the menu choose import presets.
  5. From the open and save dialogue, select the folder of presets that you want to import, and click on “Import”
  6. This will import your presets into Lightroom CC on the desktop. they will now sync over the cloud to your other versions (providing you have an internet connection, obviously)

Applying presets in Lightroom Mobile

Once you have the presets installed, you can now use them on the mobile version of Lightroom, providing you have the latest version and an active subscription. The process is pretty simple but here’s what to do:

  1. On your iPhone, iPad or Android device open Lightroom
  2. Select an image to work on by tapping on it.
  3. Tap on the presets button. This is the second button down on the interface and it looks like two circles intersecting.
  4. if you don’t see your presets immediately, it may take a few moments for them to sync
  5. Simply tap on the preset to preview it.
  6. Tap on the Done button at the bottom of the interface to apply the preset.

Applying a preset to multiple images (a workaround)

Unfortunately there currently is no way to apply a preset to multiple images as there is in Lightroom Classic. There’s also no “apply on import” option or the ability to set defaults. If you want to apply a preset to multiple images you will need to apply it to one and then copy and paste it to others. Alternatively, you can use the previous button. 

To Copy and paste settings, here’s what to do.

  1. Select an image and apply your preset as per the instructions above.
  2. Tap on the … menu at the top of the screen
  3. Select “Copy Settings from the menu”
  4. Select the options that you want to copy. 
  5. Move to another image
  6. Tap on the … menu again
  7. Choose paste settings

To use the “Previous” button. Note the Previous button is the last button on the top right set of controls.

  1. Select an image and apply a preset
  2. Move to another image.
  3. You may need to wait a moment before the previous button becomes available. Once it is no longer greyed out.
  4. Tap on the previous button
  5. Select “Adjustments” to apply just the things that were changed, or All to apply every setting.

That’s all there is to it. I recommend the copy and paste option as this stores the settings in the clipboard, and it doesn’t matter if you make changes to an image, or if you interrupt the process of switching to a new image and applying previous settings.

Don’t forget to check out the latest presets for Lightroom that I have available here on the store!

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New Creative Profiles Pack for Lightroom and Photoshop

I’m happy to announce that my newest product is now available. It is a set of creative profiles for use with Lightroom (version 7.3 or later) and Photoshop Camera RAW. “Creative Profile Pack One” is a set of 45 creative profiles for Lightroom and Photoshop.

Creative Profiles were introduced in Lightroom 7.3 and are a one-click way to apply a look to your image. Unlike a preset which adjusts the sliders in Lightroom, Creative Profiles behave more like an overall effect, and with a single button, apply all the adjustments. They have the additional advantage of allowing you to adjust the amount of the effect with a single slider. Creative profiles can also equally be applied to both Jpeg and RAW files.

The profiles in this pack are decided into three collections: Film Lux Profiles, TF-Colour and TF-Mono. Some of these are derived from my popular Lightroom presets but have been specially modified and enhanced so that they work better as Profiles.

CP1-Box.jpgFilm Lux Profiles are loosely based on my “Film Lux” presets, and provide an analogue film feel. TF-Colour contains a number of colour effects, including Vivid effects, and Warming and Cooling effects. They contain some looks inspired by my popular Landscape Gold and Bleached Bronze presets. TF-Mono contains a number of black and white profiles.

Creative Pack One is on sale now for €15 but for the rest of the month, it’s on sale for just €12 (until the 31st July). There are full details and some downloadable sample profiles for you to try on the product page.

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An Update on Lightroom Presets in Version 7.3 and Later

Ever since Adobe updated Lightroom earlier this month and changed the way presets are stored, there has been a lot of confusion around the new system, and I myself have been caught out by this too. In fact, I was so confused by the changes, I mistook one aspect of the new format entirely, and ended up putting out some incorrect information. Luckily a reader set me straight, and so here is the semi-definitive guide to the new preset format.

First of all, if you have upgraded to 7.3, you may want to get the latest point update (released yesterday at the time of writing this) as it fixes some of the bugs that were introduced with 7.3. These were mostly to do with the sorting of presets, but there were a few other bugs too, and this point update is supposed to address those.

Note, if you have any of my presets, and they were installed before you upgraded, then you don’t need to do anything. This information is primarily intended for those who may need to re-install presets at a later date, or are installing them after upgrading to Lightroom 7.3

The new format

In a nutshell, Adobe changed the format that Lightroom presets used from the old .lrtemplate format, which used their own data structure (I think) to a standard .xmp file format. This new format is also shared with Photoshop and Camera Raw, and in fact presets are now shared between the two.

New .xmp presets go into a different location than the old presets, and this new “settings” folder is the same location as you use to store presets for Camera Raw now too. As I said, presets are now shared between Lightroom Classic and Photoshop. The new format also supports some additional things that the old format didn’t. You can now add copyright information for example. The new “creative profiles” that were also announced as part of Lightroom 7.3, also use the same .xmp format and the files go in the same place. In fact, they are a variation of the new preset format. The new files can also have sorting information built into the preset, rather than be based on the folder structure where they’re stored, which I suspect may have been part of the problems with upgrading.

Upgrading & compatibility

It is the process of upgrading older presets that tripped me up at first. I had read from a reliable source that Lightroom only upgraded legacy presets once, at the time of upgrading to 7.3. However, it turns out that this is not the case at all. If you install new legacy .lrtemplate presets, Lightroom will detect the new presets and upgrade these the next time you launch Lightroom. This means that older presets remain compatible, at least for now.

Screenshot 2018-04-25 12.51.38.jpg

So, if you want to install legacy .lrtemplate presets, you can do so, just as you used to. You install them into the original preset destination, and then when you relaunch Lightroom, it will run through the upgrade process again.

I had kind of panicked when this release came out as I thought all my presets would be incompatible, but it turns out I was worrying over nothing. They should all still work as before, with the only difference being the upgrading step which happens automatically.

Mixing new and old presets

If you are installing both new and old presets, then you need to make sure that you put them into the right location. So here is a handy diagram to help you make sure you put the right ones in the right place.

The root folder location for this diagram (below) is different on windows and macOS. The simplest way to get to this is to open Lightroom, then go to preferences -> presets and click on the show presets button. This will open the Lightroom folder. You need to go up one level in the hierarchy to get to the root Adobe folder. Or you can go to the location directly in either the finder or windows explorer.

Mac: ~/Library/Application Support/Adobe/ PC: C:\ProgramData\Adobe\

To go to a specific folder on a Mac, from the Finder menu choose Go > Go To Folder…

lr presets.jpg
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Autumn Lightroom Preset Sale: 50% off selected Preset Pack

To celebrate the arrival of Autumn, I’m putting a selection of my Lightroom Presets down to half price. This includes “Landscape Gold”, which started life as a way to enhance Autumn images, and is great for enhancing the warm tones in your pictures.

Also reduced to half price are Film Candy 1 and 2 which are special effects presets, designed to create a vintage, or expired film look. Previously €15 they are now just €7. Finally, Vivid Extreme and QuickLux one are now just €5 each, also down to half price (or even less in the case of QuickLux.)

This sale will run throughout September. You can see all the products currently on sale here.

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Presets in Action: Enhancing the mood, Creating Filmic Black & White with T-Pan for Lightroom

Howth in Black and White with T-Pan for Lightroom

A little while ago I got up early in the morning and headed to a little fishing town just north of Dublin to get some morning shots of the sleepy port coming to life. I had originally hoped that it would be a nice bright morning, and that I would capture the early rays of the sun over the sea and the harbour, but instead a thick cloud was down, and it was beginning to rain.

I wasn’t disappointed though, I was actually happy, because the result was a really moody light. I got a great sequence of shots of the port waking up, and fishermen leaving to go about their day’s work.

When I got back to the studio and started processing the photos, I actually tried a couple of themes. With the moody light, and rich blue of the morning, I started by using some looks from my QickLux2 set. I created a whole sequence using these looks, but while experimenting, I also wanted to try some black and whites. When I started going through my presets, I realised that I was getting a really filmic look with T-Pan, and so I ended up creating a set with that too.

I originally created T-Pan to be as close to film as possible, but sometimes it works better than others. It depends a lot on the source material, and in this case I think it works out really well. For some of the shots, it actually makes them look almost like they were taken years ago.

Tip: One of the tricks to make something look more film-like when using film presets in Lightroom is to turn the sharpening off. Some presets have this baked in, but I kept the sharpening untouched with T-Pan. So, if you want to add a little of the film like softness, turn your sharpening off. The grain will add a sense of sharpness anyway.

Below is the sequence I created, as well as a couple of before and after shots:

T-Pan is available now from here on the store, both stand alone and as part of my black and white presets bundle.

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Monochrome Lightroom Preset Bundle BoxT-Pan for Lightroom - Lightroom Presets - Virtual Box

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Capture One Styles in Action: SilverLux for Street Photography

Street Photo - Black and White With Capture One and SilverLUX

I was recently shooting some Street Photography with my Fuji X-Pro 2 and I was processing the images with Capture One. I was trying various different looks, but in the end I wanted to go with a black and white theme. As I already had a whole set of looks already created, with SilverLUX, I used this as the basis for the overall style of the images.

While there is a whole range of different effects available with Silver Lux, I ended up using a few of the styles the most often. These allowed me to create a consistent theme for the collection. In addition, I also used some of the grain presets that come with the pack in order to add a little stronger grain to the images. Below is a look at the final result, as well as a few before and after examples.

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Silver LUX for Capture One is available now from right here on the store.

SilverLUX for Capture One is a set of “Styles” that are designed to give your RAW images a black and white effect. There are 25 Styles in total included with SilverLUX. The set also comes with a collection of 20 grain presets that makes use of Capture One’s excellent grain function to give you a range of grain options.

Buy Now

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My Presets for Aurora HDR now available

I’ve been working with the excellent AuroraHDR from MacPhun for some time now, and slowly I’ve been building a collection of presets to use with the software. I’m delighted to say that they’re now available. The pack includes a collection of 22 presets. The included looks are designed to cover a wide variety of styles, and include more traditional, artistic style looks as well as more natural looking styles. The pack also contains some presets designed to work with single image HDR files, and also some black and white HDR looks.

If you already have Aurora HDR, you can get the presets from here on my Digital Download store. If you don’t have the software already, and are interested, MacPhun are giving my readers a great deal, and you can get a bundle of the software and My Presets and get €20 off. The deal is available directly from their website.

The download includes a Pack of presets that can be installed into AuroraHDR. The pack contains 22 individual presets.

You can find out more on my Download Store. The pack is normally priced €10 but will be on sale for the fist two weeks for just €7 (Price may vary depending on your local VAT rate)

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FilmLUX 2 Now Available

I’m delighted to announce that my latest set of Lightroom Presets, FilmLUX 2 is now available. FilmLUX 2 was designed to create a subtle “film” like look to digital images, without them looking overly processed. With many presets, and even when processing manually, it can be easy to take your images too far and have them look like they’ve been heavily treated. With FilmLUX 2 I wanted to create a set of looks, that could enhance an image without it looking like you’ve done an extensive amount of work to it. while the images will still look treated, the effect won’t be too extreme.

There are twenty five different “looks’ in FilmLUX 2 and they are broken into three categories. There are five “chrome” like looks, which are based on an older type of transparency film, and have a reduced saturation for an aged effect. Secondly, there are ten “Vivid” style looks. With these, I wanted to create a vivid look that wasn’t too oversaturated, and still looked relatively natural. They also have a film like curve, ad tend to brighten the image a little, for that slightly pushed film look. Finally, there are ten “negative” effects. These have reduced saturation, raised blacks and a subtle roll off not he whites for a softer look. Each of the 25 main looks comes in two variations, one with grain (marked with a +G) and one without grain.

Here are some examples of FilmLUX2 in action:

FilmLUX 2 is available now for the special launch price of €8 (Normal price will be €10) Price depends on your local VAT rate. For full details and some more examples see the product pages on the store.

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My Presets in Action: Cherry Blossoms & Film Lux

As spring is here once again, the Cherry Blossoms are blooming, and I just love the beauty of these fleeting flowers. On a beautiful sunny day I was in a local park here in Dublin and I was taking some images of the beautiful cherry trees there. I also recorded the shoot and created a video of the session in action which you can find on my YouTube channel.

I shot the photos using a Fuji X-Pro 2 and for post processing, I wanted to go with a nice film look, and so, after trying out a few different presets, I eventually settled on using my own FilmLUX set as my starting point. But first, let me back up a bit. I actually pre-processed the files with the excellent Iridient X-Transformer first, converting them to DNG. When using DNGs created with X-Transformer, the resulting files behave exactly like RAW files, and so can be used with any preset. On import, I used the “Provia” colour profile as my base setting.

After going through the images from the shoot, I picked the ones I wanted to work on, and then I started editing in the develop module in Lightroom. I selected “FL-Film Base Slide 01” from FilmLUX as the starting point. Once I applied that I did some additional tweaking. This was mostly just to adjust the exposure slightly or the highlight and shadow recovery.

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As I wanted them all to have the same feel to them, and be part of a series, I went through each image from my selects, and used the “Previous” button in Lightroom to apply the settings from he previous photo, and then did some minot tweaking for each shot. Using this method I was able to quickly process the whole shoot.

Here are some of the photos that I took that day, processed using FilmLUX. You can find out more about FilmLUX here.

 

Film Lux Lightroom Presets

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Free Sample Pack of My Lightroom Presets

I have lots of Lightroom Presets available now on this store and I wanted to be able to give you a way to try some of them out, so I’ve put together a collection of presets taken from the various sets, to make a free sample pack.

This free set contains 20 Lightroom Presets selected from my different preset packs, so you can get a taste for the presets that I make.

The Presets Included are:

  • BleachedBronze: BleachedBronze02
  • BleachedBronze: BleachedBronze05-FadedBlue
  • Coffee Tones: Expresso
  • Film Lux: FL-Film Base-Slide 02
  • Film Lux: FL-Film-Base-Negative-02
  • Film Candy 2: Film Candy 2 – QTrans-Basic01
  • Film Candy 2: Film Candy 2 QNeg-Basic02
  • Film Candy: Film-Candy-Marshmallow
  • Film Candy: Film-Candy-Plain Chocolate DR
  • Landscape Gold: Landscape Gold 14ct Lite +V
  • Landscape Gold: Landscape Gold 9ct Medium
  • Monolith: Monolith 12 – Faces
  • QuickLux: Quick Lux – FL-Film Base Slide 01
  • Steely Blue: Steely Blue Lite
  • Steely Blue: Steely Blue Polarised V
  • T-Pan: T-PAN01
  • T-Pan: T-PAN02 400
  • Vivid Extreme: Vivid Cityscape Blue
  • Vivid Extreme: Vivid Texture
  • MonoLux: MonoLux 4 – Flesh Tones

If you’ve been curious about my Lightroom presets before, but wanted to get a taste before buying, I’m happy to oblige. I had actually been wanting to do this for some time, but I’m only getting around to it now. You can get the free sample pack from my store, as well as see more information about what’s included.