Posted on

New Creative Profiles Pack for Lightroom and Photoshop

I’m happy to announce that my newest product is now available. It is a set of creative profiles for use with Lightroom (version 7.3 or later) and Photoshop Camera RAW. “Creative Profile Pack One” is a set of 45 creative profiles for Lightroom and Photoshop.

Creative Profiles were introduced in Lightroom 7.3 and are a one-click way to apply a look to your image. Unlike a preset which adjusts the sliders in Lightroom, Creative Profiles behave more like an overall effect, and with a single button, apply all the adjustments. They have the additional advantage of allowing you to adjust the amount of the effect with a single slider. Creative profiles can also equally be applied to both Jpeg and RAW files.

The profiles in this pack are decided into three collections: Film Lux Profiles, TF-Colour and TF-Mono. Some of these are derived from my popular Lightroom presets but have been specially modified and enhanced so that they work better as Profiles.

CP1-Box.jpgFilm Lux Profiles are loosely based on my “Film Lux” presets, and provide an analogue film feel. TF-Colour contains a number of colour effects, including Vivid effects, and Warming and Cooling effects. They contain some looks inspired by my popular Landscape Gold and Bleached Bronze presets. TF-Mono contains a number of black and white profiles.

Creative Pack One is on sale now for €15 but for the rest of the month, it’s on sale for just €12 (until the 31st July). There are full details and some downloadable sample profiles for you to try on the product page.

Posted on

Steely Blue and Monolith now available for ACR

Ever since I’ve started releasing presets for Lightroom, I’ve been getting requests for Photoshop ACR versions. I’ve been promising people for a long time that I would release Camera Raw compatible presets, and so I’m delighted to announce that my first sets are now available! The first two sets that I’ve ported to ACR are my two most popular: Monolith and Steely Blue. Depending on the demand, I’ll look at porting the rest of the sets in the coming weeks.

The ACR versions work with Adobe’s camera raw plug in for Photoshop. They do work best when used with raw files, but they will work with Jpeg and Tiffs too. One of the other advantages of having the presets available in ACR is that they can be used on Photoshop Layers using the “Edit with Camera Raw” function in Photoshop CC.


Because Lightroom and ACR share the same architecture, the presets give the same look across platforms. There are a few differences between the Lightroom and the ACR versions however. The Camera Raw versions do not include any of the Grad tools or the Radial Vignettes (created using the radial tool) that are in the Lightroom versions. The reason for this is because that, while the Adobe Camera Raw tool has both the linear and radial gradient tool included, you cannot save them as part of a preset. There are separate presets for these tools, but to include those specialist presets would make instillation very difficult and significantly decrease the usability of the presets.


Also, the ACR version of Monolith does not include the separate “Thomas Tools” presets that are included in the Lightroom Versions. Because many of the tools are based on the gradient filter, it would have been messy to try and implement in Camera Raw. Monolith for ACR is less expensive to reflect this.

The system requirements for both versions state that the minimum requirement is Photoshop CC. There are two reasons for this. Firstly, some of the Setup Presets in steely blue use camera profiles that were only added recently. Secondly, because I’m only a small one man operation, I don’t have the resources to support multiple legacy versions of software, so I can only maintain the current release (and the previous one if you count CC2014). Technically the presets should work with CS6 as well, but I can’t support that, and so I have to set the requirements at CC.


Both presets are available now in the Photoshop section of the store.